Back by popular demand, this workshop will focus on some of the key principles in the technique of renowned actor and director, Mikhail Chekhov (1891-1955). As well as exploring his radical psycho-physical tools of preparation such as receiving, ease and qualities of movement, we will investigate one of his most transformative tools: psychological gesture. Through full-bodied movement, free improvisation and work on text and characterisation, we will explore how psychological gesture can revolutionise the actor’s craft.
Sinéad is a theatre director, actor and teacher. She studied at Trinity College, Dublin and École Normale Supérieure, Paris before training as an actor at The Royal Central School of Speech and Drama in London, where she is a Senior Lecturer in Acting and Movement on the BA Acting CDT programme. She specialises in the Mikhail Chekhov Technique and Meyerhold's Biomechanics.
Directing credits include Night Just Before the Forests (Macau Arts Festival), Concert (The Pit, Barbican, Centre National de la Danse, Paris, and 2017 Dublin Dance Festival; Gradam Comharcheoil TG4 2018 Award-Winner), Out of Time (The Pit, Barbican, London, Baryshnikov Arts Centre, New York & international tour; nominated for Olivier and Dance Critics' Circle Award), Gogol's Diary of a Madman with Living Pictures (Sherman Cymru, Cardiff, & international tour) and Something or Nothing with Guy Dartnell (The Place Theatre & tour), commissioned by Sadler's Wells.
She has directed four shows with her own company, out of Inc: Loaded (The Old Rep, Birmingham, Jacksons Lane, London), Night-Light (Oval House, London, Bristol Old Vic & tour), Life in the Folds (BAC, London & tour), and An Evening with Sinéad Rushe (BAC, London), all supported by Arts Council England.
She is the author of Michael Chekhov's Acting Technique: A Practitioner's Guide, (Bloomsbury, Methuen 2019), and is the co-translator into French of four plays by Howard Barker (published by Editions Théâtrales, Paris). For more on Sinéad visit www.sineadrushe.co.uk.